Emmett is a talented sound editor, sound designer, and mixer able to lend a unique creative voice to any project and is currently freelancing in New York. Most recently, he was a sound designer and editor for the award winning documentary, “¡Casa Bonita Mi Amor!”. Emmett’s work has premiered at festivals including Tribeca Film Festival and SXSW and has streamed on Paramount+, Apple TV+, Disney+, and Hulu. He has worked with Red Hook Post as an audio editor on a myriad of documentaries, series, and feature films as well as the Two Minutes to Late Night web series as an editor, mixer, and location sound engineer. For a full look at his credits, check out his IMDB and Reel.

¡Casa Bonita Mi Amor! - Sound FX Editor

Audience Award (Documentary) Winner Tribeca Film Festival 2024

Confessions of a Good Samaritan - Sound FX Editor

Hope Award Special Recognition SXSW 2023

Hillary - Assistant Sound Editor - Hulu Series

Primetime Emmy Awards Nominee 2020 - Critics' Choice Real TV Awards Winner 2020

Gather - Assistant Sound Editor - Documentary

Best Documentary Feature Film Red Nation Film Festival Winner 2020

Broadcast Media Award Best Documentary Winner The James Beard Awards 2022

The Spine of Night - Assistant Sound Editor

Audience Award Best Film Winner Molins Film Festival 2021 Satoshi Kon Award Best Animated Feature Nominee Fantasia Film Festival 2021

Choir - Sound Editor - Disney+ Series

Monster Factory - Sound Editor and Designer - Apple TV+ Series

Veselka: The Rainbow on the Corner at the Center of the World - Sound Editor - 2024

Two Minutes to Late Night - Sound Editor, Mixer, and Recordist - Web Series Season 1: Ep.7

Lamniformes Radio Podcast EP. 47 - Sound Editor and Mixer // Guest


My passion for the field of post-production was ignited by a fascination with films and their after-the-fact method of assembly. This goes especially for animation where their "nothing for free" audio landscape seemed like an environment of endless sonic possibilities. In this realm of sound, I could weave together stories and wholly change them with what seemed like a magician's stroke, and that has pushed me to pursue this world of world-making.